Shadow Claw The First Half of 'The Book of the New Sun' Gene Wolfe 9780312890179 Books
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Shadow Claw The First Half of 'The Book of the New Sun' Gene Wolfe 9780312890179 Books
I’ve been thinking now for more than a week about what I want to say about Sword and Citadel, the second half of The Book of the New Sun, and still, I’m struggling to put my thoughts together. That shouldn’t come as much of a surprise; I struggled similarly with the first half of the story, which I both loved and was frustrated by, mainly because I couldn’t quite decide exactly what this strange series was. What I assumed, though, was that I would have more of a handle on the series once I finished it. And that hasn’t quite turned out to be the case. Sword and Citadel – and, indeed, the entire Book of the New Sun, is fairly unclassifiable, a blend of fantasy and science fiction told by an unreliable narrator, a story where almost all of the plotting is done through subtext and implication, where the world being built may be the story, rather than the plot we’re presumably watching unfold.Sword and Citadel follows Severian as he continues on his travels, finally arriving at his designated position as town executioner before once again failing due to an act of undeserved mercy. From there, he wanders the countryside, drifting through a series of encounters ranging from a talking, intelligent beast to a being that might just be a ruler, or even a god, before becoming involved in the war that’s constantly been lurking outside of the boundaries of the series. That’s about all of the story I can really tell you, if we’re being honest; this is not a book whose plot is easy, or maybe even relevant. Rather, it’s about the world being explored, and about how Severian sees and interacts with that world – interactions that are often spiked with cruelty, violence, and judgment.
What’s more compelling – and more frustrating – at times is how unreliably Severian narrates his tale. It becomes clear early on that Severian isn’t telling us enough information, through no fault of his own – it’s just that his descriptions don’t account for the fact that we know more information than he does. The description of a knight with a golden visor holding a flag aloft, for instance, is presented as simple fact; nonetheless, as we learn more, it becomes evident that this is no knight, but perhaps an astronaut, holding aloft an American flag. The castles and metal buildings we so often see? Those may be rockets and ships…or perhaps not. But then, as if Severian’s limited perspective isn’t enough, there’s the gradual realization that our narrator quite simply isn’t being straight with us – he withholds, he obfuscates, he distorts, and quite possibly, he lies.
All of this comes together in a literary tour-de-force that’s undeniably an intelligent, incredibly-crafted novel. What Wolfe has done boggles the mind; he’s created a world, then filtered that world through an inhabitant trying to describe it, then given that world a spin and perspective that makes it even more unreliable, and then gives this to us in the form of a picaresque journey without clear form and fashion, despite the sense that every single sentence and scene matters. It’s remarkable, brilliant, thoughtful work. And it’s also incredibly difficult, dense, and often frustrating, as you sense that to truly understand this work is going to mean diving deep within its waters, questioning every sentence and every word, and constructing something new from the clues and hints along the way.
So do I recommend the series? Yes…and no. To no small degree, what you think of The Book of the New Sun will depend on what you expect out of it. If you expect a straightforward narrative, or a traditional anti-hero, or an epic in the style of Lord of the Rings or Dune, you’ll be frustrated at what you find. This is something wholly else. But if you want something truly – and I hate to use this term, but it’s the only thing that fits – literary, something that displays an astonishing gift of prose and craft, and that you’re willing to work with, you’ll be rewarded for your time and then some.
As for myself, I can’t deny that I’m dazzled by the construction and world of New Sun. I’m floored by the scope, and the imagination, and the characters, and the way Wolfe works between layers and layers and layers of artifice. And yet, even now, I’m not sure I truly understand or even come close to getting this book, and that’s frustrating. It’s a series I feel like I need to read a second time, or even a third, to truly get, and I’d be lying if I said that was something I was truly excited about. It’s a series that felt challenging, and it’s all the more so for how deceptively simple it all seems. Is it a remarkable accomplishment, something truly incredible to behold? Undoubtedly. But that doesn’t necessarily make it fun in any sense of the word, or something you’re going to jump into without some thought. Take that as you will.
Tags : Shadow & Claw: The First Half of 'The Book of the New Sun' [Gene Wolfe] on Amazon.com. *FREE* shipping on qualifying offers. The Book of the New Sun is unanimously acclaimed as Gene Wolfe's most remarkable work, hailed as a masterpiece of science fantasy comparable in importance to the major works of Tolkien and Lewis by Publishers Weekly</i>,Gene Wolfe,Shadow & Claw: The First Half of 'The Book of the New Sun',Orb Books,0312890176,Fantasy - Epic,Science fiction,Science fiction.,110304 Tor Trade-Tor Trade Paperback,FICTION Fantasy Epic,FICTION Science Fiction Action & Adventure,FICTION Science Fiction General,Fantasy,Fantasy Action & Adventure,Fiction,Fiction - Science Fiction,Fiction-Fantasy,GENERAL,ScholarlyUndergraduate,Science Fiction - General,United States,WOLFE, GENE - PROSE & CRITICISM,fantasy books; books fantasy; fantasy series; best fantasy books; fantasy fiction; science fiction fantasy; best fantasy series; best fantasy novels; modern fantasy; fantasy novels; fantasy book series
Shadow Claw The First Half of 'The Book of the New Sun' Gene Wolfe 9780312890179 Books Reviews
Wow!
This is an extremely challenging read. It rivals "Moby Dick" in linguistic complexity. Frankly, my worked overtime using fast Wikipedia and Dictionary look-ups features for the vocabulary used. Often, multiple times on a single page! The challenge is two fold 1) the archaic terms used 40% are in the dictionary, 40% are in Wikipedia, and 20% are in neither (the author simply creates). I really do not know how the book could have been accurately read at the time it was written because the Internet (and its associated speed) did not yet exist & 2) many sentences are constructed in an archaic way as well. I am telling you, the vocabulary used would have driven William F. Buckley Jr. (well known for his expansive vocabulary, FYI) running to the dictionary routinely.
I read a lot and have a Master's...this is a challenging read up with the most complex I have every read or heard about. I am 59 and have a gracious amount of books under my proverbial "belt".
It is written in the first person in the very distant future as a memoir of sorts. The original writer from the future has a sort of photographic memory which is used to add credibility to the detail of the story. The actual author (I.e., Wolfe) has an appendix stating that it was translate into our current English (Circa 1983). So, the actual author is merely a translator. He states that there are numerous word substitutions for various reasons as it is set in the future.
The terminology used spans from the Classic Greek era of time (~500 BC or so) of time to ~1983. It spans European and Arab cultural references and terminology references.
The work is impressive and very much worth the read. It is in the top handful of Scyfy reads every written IMHO. I caution anyone who attempts to read this to use a reader. The fast look-up capability is essential to appreciating the work. Reading a hard copy would be an effort in frustration unless you have a Masters or PhD in literature along with advanced degrees in ancient history.
I love this book. I suppose I love for the piece as a work of literature, but I think I love even more because it made me work so hard to read the work in a way needed to appreciate it.
Highly recommended!
Postscript I have read several other reviews that give a poor rating. This novel is set on Earth with the sun dying. Far into the future. Society has de-evolved into many roles and practices more common a Medeival/Roman/Greek blend. High tech and interstelller space travel are ancient memories. It is male dominated but with several strong females. I feel many of the poor reviews were by readers who gave up and did not finish this challenging read. The Appendix mentioned above covers terminology used; the accuracy of the story is covered multiple times discussing the author's photographic memory.
Bottom line the reader has to work while reading this book. It is not a "sit on the beach and read a page an hour" type book. You are working with the author with every sentence. Most people are not use to or prepared for this level of effort. When you finish this book you are rewarded handsomely with a sense of true accomplishment. This book is the equivalent to a large portion (40% or so) of a single college class in literature. 1.5 credits or so. IMHO.
I’ve been thinking now for more than a week about what I want to say about Sword and Citadel, the second half of The Book of the New Sun, and still, I’m struggling to put my thoughts together. That shouldn’t come as much of a surprise; I struggled similarly with the first half of the story, which I both loved and was frustrated by, mainly because I couldn’t quite decide exactly what this strange series was. What I assumed, though, was that I would have more of a handle on the series once I finished it. And that hasn’t quite turned out to be the case. Sword and Citadel – and, indeed, the entire Book of the New Sun, is fairly unclassifiable, a blend of fantasy and science fiction told by an unreliable narrator, a story where almost all of the plotting is done through subtext and implication, where the world being built may be the story, rather than the plot we’re presumably watching unfold.
Sword and Citadel follows Severian as he continues on his travels, finally arriving at his designated position as town executioner before once again failing due to an act of undeserved mercy. From there, he wanders the countryside, drifting through a series of encounters ranging from a talking, intelligent beast to a being that might just be a ruler, or even a god, before becoming involved in the war that’s constantly been lurking outside of the boundaries of the series. That’s about all of the story I can really tell you, if we’re being honest; this is not a book whose plot is easy, or maybe even relevant. Rather, it’s about the world being explored, and about how Severian sees and interacts with that world – interactions that are often spiked with cruelty, violence, and judgment.
What’s more compelling – and more frustrating – at times is how unreliably Severian narrates his tale. It becomes clear early on that Severian isn’t telling us enough information, through no fault of his own – it’s just that his descriptions don’t account for the fact that we know more information than he does. The description of a knight with a golden visor holding a flag aloft, for instance, is presented as simple fact; nonetheless, as we learn more, it becomes evident that this is no knight, but perhaps an astronaut, holding aloft an American flag. The castles and metal buildings we so often see? Those may be rockets and ships…or perhaps not. But then, as if Severian’s limited perspective isn’t enough, there’s the gradual realization that our narrator quite simply isn’t being straight with us – he withholds, he obfuscates, he distorts, and quite possibly, he lies.
All of this comes together in a literary tour-de-force that’s undeniably an intelligent, incredibly-crafted novel. What Wolfe has done boggles the mind; he’s created a world, then filtered that world through an inhabitant trying to describe it, then given that world a spin and perspective that makes it even more unreliable, and then gives this to us in the form of a picaresque journey without clear form and fashion, despite the sense that every single sentence and scene matters. It’s remarkable, brilliant, thoughtful work. And it’s also incredibly difficult, dense, and often frustrating, as you sense that to truly understand this work is going to mean diving deep within its waters, questioning every sentence and every word, and constructing something new from the clues and hints along the way.
So do I recommend the series? Yes…and no. To no small degree, what you think of The Book of the New Sun will depend on what you expect out of it. If you expect a straightforward narrative, or a traditional anti-hero, or an epic in the style of Lord of the Rings or Dune, you’ll be frustrated at what you find. This is something wholly else. But if you want something truly – and I hate to use this term, but it’s the only thing that fits – literary, something that displays an astonishing gift of prose and craft, and that you’re willing to work with, you’ll be rewarded for your time and then some.
As for myself, I can’t deny that I’m dazzled by the construction and world of New Sun. I’m floored by the scope, and the imagination, and the characters, and the way Wolfe works between layers and layers and layers of artifice. And yet, even now, I’m not sure I truly understand or even come close to getting this book, and that’s frustrating. It’s a series I feel like I need to read a second time, or even a third, to truly get, and I’d be lying if I said that was something I was truly excited about. It’s a series that felt challenging, and it’s all the more so for how deceptively simple it all seems. Is it a remarkable accomplishment, something truly incredible to behold? Undoubtedly. But that doesn’t necessarily make it fun in any sense of the word, or something you’re going to jump into without some thought. Take that as you will.
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